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    The description :skip to navigation open source graphics tips and tricks for creating graphics and retouching images with open-source software home return to content menu 1 about articles software libraries other reso...

    This report updates in 02-Sep-2018

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skip to navigation open source graphics tips and tricks for creating graphics and retouching images with open-source software home return to content menu 1 about articles software libraries other resources february 24, 2018 g’mic 2.2 : new features and filters! the image team of the greyc laboratory (umr cnrs 6072, caen, france) is pleased to announce the release of a new 2.2 version of g’mic , its open-source, generic, and extensible framework for image processing . as we already did in the past , we take this opportunity to look at the latest notable features added since the previous major release ( 2.0 , last june). the g’mic project twitter feed the g’mic online web service note 1: click on a picture to view a larger version. note 2: this is a translation of an original article, in french, published on linuxfr . 1. context and recent evolutions g’mic is a free and open-source software developed since august 2008 (distributed under the cecill license), by folks in the image team at the greyc , a french public research laboratory located in caen and supervised by three institutions: the cnrs , the university of caen , and the ensicaen engineering school. this team is made up of researchers and lecturers specialized in the fields of algorithms and mathematics for image processing. as one of the main developer of g’mic , i wanted to sum up the work we’ve made on this software during these last months. fig. 1.1: the g’mic project logo, and its cute little mascot “gmicky” (designed by david revoy ). g’mic is multi-platform (gnu/linux, macos, windows …) and provides many ways of manipulating generic image data, i.e. still images or image sequences acquired as hyperspectral 2d or 3d floating-point arrays (including usual color images). more than 950 different image processing functions are already available in the g’mic framework, this number being expandable through the use of the g’mic scripting capabilities. fig.1.2: the g’mic-qt plugin for gimp, currently the most popular g’mic interface. since the last major version release there have been two important events in the project life: 1.1. port of the g’mic-qt plugin to krita when we released version 2.0 of g’mic a few months ago, we were happy to announce a complete rewrite (in qt ) of the plugin code for gimp . an extra step has been taken, since this plugin has been extended to fit into the open-source digital painting software krita . this has been made possible thanks to the development work of boudewijn rempt (maintainer of krita ) and sébastien fourey (developer of the plugin). the g’mic-qt plugin is now available for krita versions 3.3+ and, although it does not yet implement all the i/o functionality of its gimp counterpart, the feedback we’ve had so far is rather positive. this new port replaces the old g’mic plugin for krita which has not been maintained for some time. the good news for krita users (and developers) is that they now have an up-to-date plugin whose code is common with the one running in gimp and for which we will be able to ensure the maintenance and further developments. note this port required the writing of a source file host_krita.cpp (in c++ ) implementing the communication between the host software and the plugin, and it is reasonable to think that a similar effort would allow other programs to get their own version of the g’mic plugin (and the 500 image filters that come with it!). fig. 1.3: overview of the g’mic-qt plugin running on krita. 1.2. cecill-c, a more permissive license another major event concerns the new license of use : the cecill-c license (that is in the spirit of the lgpl ) is now available for some components of the g’mic framework. this license is more permissive than the previously proposed cecill license (which is gpl -compatible) and is more suitable for the distribution of software libraries. this license extension (now double licensing ) applies precisely to the core files of g’mic , i.e. its c++ library libgmic . thus, the integration of the libgmic features (therefore, all g’mic image filters) is now allowed in software that are not themselves licensed under gpl/cecill (including closed source products). the source code of the g’mic-qt plugin, meanwhile, remains distributed under the single cecill license ( gpl -like). 2. fruitful collaboration with david revoy if you’ve followed us for a while, you may have noticed that we very often refer to the work of illustrator david revoy for his multiple contributions to g’mic : mascot design, ideas of filters, articles or video tutorials, tests of all kinds, etc. more generally, david is a major contributor to the world of free digital art, as much with the comic pepper & carrot he produces (distributed under free license cc -by ), as with his suggestions and ongoing bug reports for the open-source software he uses. therefore, it seems quite natural to devote a special section to him in this article, summarizing the different ideas, contributions and experiments he has brought to g’mic just recently. a big thank you , david for your availability, the sharing of your ideas, and for all your work in general! 2.1. improving the lineart colorization filter let’s first mention the progress made on the black & white / colorize lineart (smart-coloring) filter that had appeared at the time of the 2.0 g’mic release. this filter is basically a lineart colorization assistant which was developed in collaboration with david . it tries to automatically generate a colorization layer for a given lineart , from the analysis of the contours and the geometry of that lineart . following david ‘s suggestions, we were able to add a new colorization mode, named “ autoclean “. the idea is to try to automatically “clean” a coloring layer (made roughly by the user) provided in addition to the lineart layer, using the same geometric analysis as for the previous colorization modes. the use of this new mode is illustrated below, where a given lineart ( left ) has been colorized approximately by the user. from the two layers line art + color layer , our “ autoclean ” algorithm generates an image ( right ), where the colors do not overflow the lineart contours (even for “virtual” contours that are not closed). the result is not always perfect, but nevertheless reduces the time spent in the tedious process of colorization. fig. 2.1: the new “autoclean” mode of the lineart colorization filter can automatically “clean” a rough colorization layer. note that this filter is also equipped with a new hatch detection module, which makes it possible to avoid generating too many small areas when using the previously available random colorization mode, particularly when the input lineart contains a large number of hatches (see figure below). fig. 2.2: the new hatching detection module limits the number of small colored areas generated by the automatic random coloring mode. 2.2. color equalizer in hsi, hsl and hsv spaces more recently, david suggested the idea of a filter to separately vary the hue and saturation of colors having certain levels of luminosity. the underlying idea is to give the artist the ability to draw or paint digitally using only grayscale, then colorize his masterpiece afterwards by re-assigning specific colors to the different gray values of the image. the obtained result has of course a limited color range, but the overall color mood is already in place. the artist only has to retouch the colors locally rather than having to colorize the entire painting by hand. the figure below illustrates the use of this new filter colors/equalize hsi/hsl/hsv available in the g’mic plugin : each category of values can be finely adjusted, resulting in preliminary colorizations of black and white paintings. fig. 2.3: equalization in hsi/hsl/hsv colorspaces allows to easily set the global color mood for b&w paintings. note that the effect is equivalent to applying a color gradient to the different gray values of the image. this

URL analysis for opensource.graphics


http://opensource.graphics/2016/05/
http://opensource.graphics/wp-content/uploads/2015/04/gmic_mighty.jpg
http://opensource.graphics/wp-content/uploads/2015/04/gmic_transfer1.jpg
http://opensource.graphics/wp-content/uploads/2017/06/girl_colorization.gif
http://opensource.graphics/wp-content/uploads/2014/12/coldis_lena1.png
http://opensource.graphics/wp-content/uploads/2017/06/b99e02c28583b00e3f8bd12e6b99b09b9dfe1a41.jpg
http://opensource.graphics/wp-content/uploads/2015/09/gmic_leno4.jpg
http://opensource.graphics/tag/zart/
http://opensource.graphics/visualizing-the-3d-point-cloud-of-rgb-colors/
http://opensource.graphics/wp-content/uploads/2015/04/gmic_hexagonal.jpg
http://opensource.graphics/wp-content/uploads/2014/12/framed_colander_potential.png
http://opensource.graphics/wp-content/uploads/2017/06/logo_gmic.jpg
http://opensource.graphics/#image-decomposition-into-several-levels-of-details
http://opensource.graphics/category/gmic-2/summary/
https://www.addtoany.com/add_to/facebook?linkurl=http%3a%2f%2fopensource.graphics%2flatest-ten-months-working-on-gmic%2f&linkname=my%20latest%20ten%20months%20working%20on%20g%e2%80%99mic
jameskoster.co.uk

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Domain Name: opensource.graphics
Registry Domain ID: 83e02f7580ca44c085a4027665f7aec7-DONUTS
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Updated Date: 2018-06-06T05:48:13Z
Creation Date: 2014-12-01T20:11:54Z
Registry Expiry Date: 2021-12-01T20:11:54Z
Registrar: OVH SAS
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